Working at the intersection of photography, design, and image-making, Daniel Schreitmüller approaches the urban environment through the lens of a deeply rooted subcultural background in skateboarding. 

Emerging from acts of urban exploration, Schreitmüller’s photographs read the city with an architectural sensitivity. They observe use, movement, and improvisation as forces through which urban space is constantly redefined. His images reveal the city as a living structure: a place where planning and appropriation collide, where control, chance, and individual practice overlap.

At the same time, his attention often turns toward what happens around the apparent subject. Skateboarding appears less as spectacle or event than as a social practice: a way of sharing, testing, and reinterpreting space collectively.

Rooted in a documentary sensibility, Schreitmüller’s work has increasingly expanded toward analogue composition. Layers, textures, and process become part of the narrative itself. These analogue methods function as a deliberate slowing down: an experimental field in which Schreitmüller develops a distinct artistic handwriting, one that connects observation, materiality, and lived urban experience.